ZWEI CLARETT⁺-VORVERSTÄRKER IN PROFIQUALITÄTNehmen Sie klare und kraftvolle Aufnahmen mit Vorverstärkern auf, die viel Headroom, geringe Verzerrung und extrem niedriges Rauschen bieten.
BRINGEN SIE STIMMEN MIT ANALOGER LUFT ZUM STRAHLENHochwertige, relaisgesteuerte analoge Schaltkreise in jedem Preamp emulieren den klassischen Focusrite ISA 110, indem sie die Impedanz auf 2,2 kΩ umschalten und zwei kumulative High Shelves hinzufügen, die insgesamt eine 4 dB-Anhebung in den hohen Frequenzen bedeuten.
NEUE UND VERBESSERTE A-D UND D-A WANDLERMit den extrem leistungsstarken, unabhängigen A-D- und D-A-Wandlern, die ein extrem geringes Rauschen, geringe Verzerrung und einen hohen Dynamikbereich bieten, können Sie überall genauere Aufnahmen machen.
LEISTUNGSSTARKER UND TRANSPARENTER KOPFHÖRERAUSGANGMit dem verbesserten Kopfhörerausgang, der bei allen Ausgangspegeln und mit jedem Kopfhörertyp einen flachen Frequenzgang bietet, können Sie Ihre besten Mischungen und Aufnahmen erstellen und erstaunliche Performances inspirieren.
JFET-INSTRUMENTENEINGÄNGEDedizierte JFET-Instrumenteneingänge mit extrem hoher Impedanz und extrem großer Audiobandbreite imitieren die Eingänge von Gitarrenverstärkern, um den natürlichen Klang von Gitarren zu erhalten und ihren wahren Charakter einzufangen.
OPTISCHER ADAT-EINGANGErweitern Sie Clarett+ 2Pre um ADAT-kompatibles Outboard-Equipment, wie z.B. Clarett OctoPre, mit acht Kanälen digitaler Erweiterungsmöglichkeiten: perfekt für jede Phase Ihrer kreativen Reise.
USB-C BUS-POWEREDDer USB-C-Anschluss liefert Bus-Power. 15-W-USB-C-Anschluss erforderlich.
*15-W-USB-C-Fähigkeit für busgespeisten Betrieb erforderlich. Finden Sie heraus, ob Sie einen 15-W-USB-C-Anschluss haben.
FOCUSRITE PLUG-IN KOLLEKTIVRegistrieren Sie sich, um regelmäßig Rabatte und exklusive Versionen der innovativsten Software-Titel zu erhalten.
FOCUSRITE STEUERUNGDie einfach zu bedienende und funktionsreiche Software für PC, Mac und iOS-Geräte gibt Ihnen die vollständige Kontrolle über alle Aspekte von Clarett+.
VIER LEISTUNGSSTARKE CLARETT⁺-VORVERSTÄRKERHören Sie jede Nuance und fangen Sie einen klaren und kraftvollen Klang mit Vorverstärkern ein, die viel Headroom, geringe Verzerrungen und ein extrem niedriges Rauschen bieten.
BRINGEN SIE STIMMEN MIT REIN ANALOGER LUFT ZUM STRAHLENHochwertige, relaisgesteuerte analoge Schaltkreise in jedem Preamp emulieren den klassischen Focusrite ISA110, indem sie die Impedanz auf 2,2 kΩ umschalten und zwei kumulative High Shelves hinzufügen, die insgesamt eine Anhebung von 4 dB in den hohen Frequenzen bewirken.
NEUE UND VERBESSERTE A-D UND D-A WANDLERMit den extrem leistungsstarken, unabhängigen A-D- und D-A-Wandlern, die ein extrem geringes Rauschen, geringe Verzerrung und einen hohen Dynamikbereich bieten, lassen sich engere Mischungen erstellen und präzisere Aufnahmen machen.
LEISTUNGSSTARKE, TRANSPARENTE KOPFHÖRERAUSGÄNGEDie beiden Ausgänge bieten einen flachen Frequenzgang, der zu den bestklingenden Aufnahmen und Mischungen inspiriert und erstaunliche Gesangsleistungen hervorruft.
ZWEI JFET-INSTRUMENTENEINGÄNGEDedizierte JFET-Instrumenteneingänge mit extrem hoher Impedanz und großer Audiobandbreite ahmen die Eingänge von Gitarrenverstärkern nach, um den natürlichen Klang von Gitarren zu erhalten und ihren wahren Charakter einzufangen.
OPTISCHER ADAT-EINGANGErweitern Sie Clarett+ 4Pre um ADAT-kompatibles Outboard-Equipment, wie z.B. Clarett OctoPre, mit acht Kanälen digitaler Erweiterungsmöglichkeiten, perfekt für jede Phase Ihrer kreativen Reise.
FOCUSRITE PLUG-IN KOLLEKTIVRegistrieren Sie sich, um regelmäßig Rabatte und exklusive Versionen der innovativsten Software-Titel zu erhalten.
FOCUSRITE STEUERUNGDie einfach zu bedienende und funktionsreiche Software für Computer und iOS-Geräte gibt Ihnen die vollständige Kontrolle über alle Aspekte von Clarett+
Acht rausch- und verzerrungsarme Clarett+-Mikrofonvorverstärker mit hoher Aussteuerungsreserve und analoger Air-Funktion mit Impedanzumschaltung und Relaissteuerung nehmen Gesang, Schlagzeug und akustische Instrumente mit präziser Klarheit auf. Zwei JFET-Instrumenteneingänge bewahren den natürlichen Klang von Gitarren, so als ob man sie an einen Verstärker anschließen würde.
Clarett+ OctoPre ist der achtkanalige ADAT-Vorverstärker, sowohl für angehende als auch etablierte Toningenieure. Er bietet acht rausch- und verzerrungsarme Clarett+ Vorverstärker mit hoher Übersteuerungsreserve und vollständig analoger Air-Schaltung und Relaissteuerung. Zeichnen Sie Schlagzeug, Gesang und akustische Instrumente mit überragender Klarheit auf. Zwei JFET-Instrumenteneingänge fangen den natürlichen Klang von Gitarren ein, genau wie beim Anschluss an einen echten Verstärker.Features
Achtkanaliger ADAT-Vorverstärker
Hochwertiger und rauscharmer AD/DA Wandler mit minimaler Verzerrung
Natürliche und klare Gitarrenaufnahmen dank JFET Instrumenteneingang
Analoge Air-Schaltung der Focusrite Studio Console (ISA 110)
8 Mic/Line Preamps mit 57 dB Gesamtverstärkung (Gain)
8 Line Inserts zum Einbinden von Outboard-Geräten
Dynamikumfang von 118 dB
48V Phantomspeisung (in zwei Gruppen schaltbar 1-4 & 5-8)
2 ADAT Ein- und Ausgänge
Wordclock In/Out
Sub-D25 Line-Ausgang
Inkl. Umfangreichem Software Bundle von Brainworx, Antares, XLN Audio und weiteren
Hochwertige A/D- und D/A-Wandler bringen klangliche Klarheit in Aufnahmesitzungen im Studio - mit hohem Dynamikbereich, extrem niedrigem Rauschen und geringsten Verzerrungen. Die außergewöhnliche D/A-Wandlung sorgt dafür, dass die Audioqualität uneingeschränkt erhalten bleibt, wenn das Audiomaterial an analoge Kompressoren, Equalizer und Effekte weitergeleitet wird.Fügen Sie Clarett+ OctoPre zu einem 2Pre, 4Pre oder 8Pre hinzu, um Ein- und Ausgänge einfach und konsistent über die ADAT-Schnittstelle zu erweitern, sodass eine komplette Band in einem Rutsch aufgenommen werden kann. Gleichzeitig können Sie die analoge Reinheit und Klarheit beibehalten - so können Sie den magischen Klang der Focusrite Studio Console in Ihre Aufnahmen miteinbringen.Enthaltene Software
Brainworx bx_console Focusrite SC
Brainworx bx_masterdesk
Brainworx bx_oberhausen
Focusrite Red 2 & 3 Plug-in Suite
Antares Auto-Tune Access
Relab LX480 Essentials
Softube Marshall Silver Jubilee 2555
XLN Audio Addictive Keys
XLN Audio Addictive Drums 2: Studio Rock
Focusrite Plug-in Collective
SA 428 MkII bietet vier der angesehenen Focusrite-Mikrofon-Preamps auf Transformatorbasis. Dank der gleichen, klassischen Schaltkreise liefert er die bekannte Audioqualität, wie schon das Original, jetzt jedoch zu einem deutlich günstigeren Preis. Dank seiner umschaltbaren Eingangs-Impedanz, den DI-Instrumenten-Eingängen und der optionalen 8-Kanal-Digital-Wandlung ist ISA 428 MkII das perfekte Frontend für den anspruchsvollen Recording-Profi.
Seit seiner ersten Vorstellung 1985 sind ISA-Mikrofon-Vorverstärker bekannt für ihre außergewöhnliche Transparenz gekoppelt mit einer subtilen Wärme, die aus dem Transformator resultiert. Mit der hinzugekommenen Impedanz-Schaltung können Anwender Mikrofone perfekt an den Vorverstärker anpassen oder kreativ damit Klangvarianten erzeugen. Das über Jahre unveränderte Design liefert noch immer unglaubliche Klarheit und den bekannten Focusrite-Klang. Genau deswegen sind auch heute Focusrite-Preamps die erste Wahl für viele Audio-Profis.
Der optionale ISA 828 8-Kanal-A/D-Wandler ist auch mit dem ISA 428 MkII kompatibel. Vier zusätzliche Eingänge neben den vier Mikrofon-Eingänge erlauben es, weitere Signale über den Wandler laufen zu lassen, sodass Sie alle acht Wandler nutzen können. Hochqualitative Burr-Brown Pro-Audio-Amplifier und das Flaggschiff in Sachen Wandler, der PCM4220, die sorgfältig in den analogen Schaltkreis eingebettet sind, sorgen für unvergleichliche Wandlungs-Performance mit einem Dynamikumfang von 122 dB und einer Jitter-Performance von weniger als 250 Picosekunden. Die Wandler-Karte kann auch nachträglich noch eingebaut werden und dank der 25-Pin D-Typ-Anschlüsse ist die nahtlose Integration in nahezu jede digitale Workstation inklusive Pro Tools HD sichergestellt.
Dank der vier Instrumenten-Eingänge mit direktem Anschluss von vorne, können Instrumente schnell und ohne zusätzliche DI-Box mit ISA 428 MkII verbunden werden. Über die Inserts lassen sich weitere Audio-Tools zwischen Preamp und Ausgängen in jeden Kanal einschleifen. Die 6-Segment-LED-Anzeigen sorgen dafür, dass auch die schnellsten Transienten noch zuverlässig angezeigt werden.
Seit 25 Jahren steht der Name Focusrite bei Audio-Profis für superbe Audio-Qualität und exzellente Ingenieurskunst. Ganz gleich, ob man den Klang klassischer Mikrofone perfekt einfangen möchte oder auf der Suche nach dem richtige Frontend für ein digitales Studio ist, ISA428 MkII ist das richtige Werkzeug zu einem sehr attraktiven Preis für diese Aufgaben.
EIGHT-CHANNEL MIC PRE AND OPTIONAL A-D CARD WITH DANTE
The ISA 828 MkII incorporates eight of Focusrite's classic mic preamps, with Lundahl LL1538 transformers on every input. Each channel has the option of mic or line inputs, while inputs 1-4 also feature instrument inputs on the front panel. Each mic pre has variable input impedance, to provide a range of subtly different sonic options when using microphones, including an 'ISA 110' setting, which replicates the impedance of the original Focusrite mic pre.
Up to 60dB of gain is available, with a further +20dB of continuously variable trim, providing a huge 80dB gain range. The high-pass filter has a fixed 75Hz frequency and 18dB / octave roll-off for minimising rumble, stand-borne noise and other low-frequency sounds. The ISA 828 MkII also features per-channel, six-segment LED meters, and switchable rear-panel insert points, which allow the use of inline processors such as compressors or EQs.
Dedicated connectors for mic and line-level inputs allow all sources to be connected simultaneously, making ISA 828 MkII perfect for permanent installation in a rack. A switching power supply allows for efficient, cool operation, without sacrificing sound quality or performance, and increasing reliability over its predecessor. The optional ISA ADN8 analogue-to-digital expansion card provides eight Dante, ADAT and AES3 outputs at sampling rates of up to 24-bit / 192kHz.And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.
Optional A-D card with up to 192kHz, 24-bit sampling offers high-quality digital audio conversion to Dante, ADAT and AES3
Classic ISA mic preamp design featuring Lundahl LL1538 input transformer
Switching power supply design allows for efficient and cool operation
Front-panel instrument inputs to first four channels
Line inputs with dedicated input connectors and front-panel select switch
Switchable input impedance including classic ISA 110 setting
High-pass filter with fixed 75Hz frequency and 18dB/octave roll-off
Switchable insert points when used with A-D card
Per-channel six-segment LED peak-level meters
As with all Focusrite products, you'll also benefit from a three-year warranty
Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.
SPECIFICATIONS
MIC INPUTS
Gain Range
0dB to +30dB (30-60 switch disabled) and +30dB to +60dB (30-60 switch enabled) in 10dB steps, with an additional +20dB of continuous trim
Input Impedance
Low = 600Ω, ISA 110 = 1400Ω, Med (Medium) = 2400Ω, High = 6800Ω
Max. Input Level
+25dBu, min gain, medium Z
Frequency Response
(10Hz - 122kHz): 10Hz - 122kHz ±3dB, unity gain, medium Z
THD + N
-91dB (0.0028%) @ -1dBr, min gain, medium Z
EIN
-123dBu 'A'-Weighted (typical)
Signal-To-Noise Ratio
122dB 'A'-Weighted (typical), medium Z
Common-Mode Rejection Ratio
997Hz CMRR: -65dB, min gain, medium Z
Phantom Power
+48V, independently switchable per channel
High-Pass Filter
75Hz knee frequency, 18dB/Octave, independently switchable per channel
Phase
Inverts the phases of the selected input
WEIGHT AND DIMENSIONS
Weight (Without Accessories)
7.05kg / 15.55lbs
Weight (With Accessories)
7.48kg / 16.49lbs
Height
88mm / 3.46"
Width
482mm / 18.98"
Depth
325mm / 12.80"
LINE INPUTS
Gain Range
-20dB to +10dB in 10dB steps, with an additional +20dB of continuous trim
Input Impedance
Low = 470O, High = 2.4MO
Max. Input Level
+18dBu, min gain, low Z
Frequency Response (20Hz - 20kHz)
20Hz - 20kHz ±0.1dB, min gain, low Z
Frequency Response (10Hz - 110kHz)
10Hz - 110kHz ±1.2dB, min gain, low Z
THD + N
-83dB (0.0071%) @ -1dBr, min gain, low Z
Signal-To-Noise Ratio
100dB 'A'-Weighted (typical), min gain, low Z
INSTRUMENT INPUTS
CROSSTALK
Microphone Talkback
-80dB; 20Hz - 20kHz, min gain, medium Z
LINE CROSSTALK
Microphone Talkback
-80dB; 20Hz - 20kHz, min gain, medium Z
INSTRUMENT CROSSTALK
Microphone Talkback
-80dB; 20Hz - 20kHz, min gain, medium Z
FRONT PANEL CONNECTIVITY
Channel Count:
2 Channels In
Instrument Inputs
4 x 1/4" jack inputs
Instrument Inputs
4 x 1/4" jack inputs
REAR PANEL CONNECTIVITY
Mic Inputs
Input: 8 x Female XLR
LINE LEVEL
Channel Count
8 In and 8 Out
Input
8 x 1/4" jack inputs
Output
1 x DB-25 connectors (AES59)
INSERTS
Channel Count
8 In
Input
1 x DB-25 connectors (AES59)
DIGITAL CARD SLOT
Compatible Card
ISA ADN8
PSU
PSU
1 x IEC Input
REAR PANEL INDICATORS
Control Functions
1 x Pot (Meter Trim)
POWER
PSU
1 x Internal, 100-240V, 50/60Hz, consumption 35W.
HEAT PERFORMANCE
Operating Temperature
Operates at up to an ambient temperature of 40 degrees Celsius
FRONT PANEL INDICATORS
Control Functions
16 x Pots (Gain and Trim). 60 Switches (On/Off Switch, 30-60 Gain, +48V, Phase, HPF, Insert, Z In, Input, Meters Pre A-D, Clock Select and Ext. Word Clock)
TWO-CHANNEL A-D CARD FOR ISA ONE, INCLUDING DANTE CONNECTIVITY
ISA ADN2 is an optional two-channel A-D card that provides high-quality analogue-to-digital conversion for the ISA One mic preamp and DI. Featuring Dante, AES3, ADAT andS/PDIF connectivity, the card operates at sample rates up to 24-bit/192kHz.
The card offers primary and secondary RJ45 Dante output ports, an XLR connector for AES3 output, a TOSLINK connector for ADAT output and RCA connector for S/PDIFoutput. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock,or for syncing external equipment to the Dante network.
Dante outputs on the card provide ISA One with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.
And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.
Two-channel analogue-to-digital converter for ISA One
Up to 24-bit/192kHz sample rate
Dante connectivity via Primary and Secondary Ethernet ports with redundancy and auto switchover in case of failure
Two-channel XLR connection for AES3 output
Two-channel RCA connection for S/PDIF output
Two-channel TOSLINK connector for ADAT output
Word Clock I/O on BNC connectors allows for synchronisation to multiple digital sources, for syncing the Dante network to house clock, or for syncing external equipment to the Dante network
RedNet Control and Dante Controller software allow Dante routing and control from a computer; no hardware patching required
Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.
SPECIFICATIONS
AUDIO PERFORMANCE
0 DBFS Reference Levels
22dBu
Frequency Response
20Hz - 20kHz ±0.1dB
THD+N
-105dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input
Noise In Presence Of Signal
-121dBu 'A'-Weighted (typical)
Dynamic Range
121dB 'A'-weighted (typical), 20Hz - 20kHz
DIGITAL PERFORMANCE
Supported Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
Clock Sources
Internal or Word Clock
CROSSTALK
Input To Input
< -100dB; 20Hz - 20kHz (driven channel at -20dBFS)
FRONT PANEL OUTPUT CONNECTIVITY
Channel Count
2 x Dante channels
Output
1 x Male XLR
DANTE
Output
2 x Ethernet standard RJ45 connectors (Compatible with Cat 5e and above).
Channel Count
2 x Dante channels
AES3
Channel Count
2 x Dante channels
Output
1 x Male XLR
ADAT
Channel Count
2 x ADAT channels
Output
1 x TOSLINK connectors
Channel Assignments @ 44.1 KHz, 48 KHz
Port 1 = Channels 1 - 2
Channel Assignments @ 88.2 KHz, 96 KHz: SMUXI
Port 1 = Channels 1 - 2
Channel Assignments @ 176.4 KHz, 192 KHz: SMUXII
Port 1 = Channels 1 - 2
S/PDIF
Channel Count
2 x S/PDIF channels
Output
1 x RCA phono socket
WORLD CLOCK
Word Clock Input
1 x BNC 75Ω port (Switchable Termination)
Word Clock Output
1 x BNC 75Ω port
EIGHT-CHANNEL A-D CARD FOR ISA 428 MKII AND ISA 828 MKII, INCLUDING DANTE CONNECTIVITY
ISA ADN8 is an optional eight-channel A-D card that provides high-quality analogue-to-digital conversion for the Focusrite ISA 428 MkII and ISA 828 MkII microphone preamps. Featuring Dante, AES3 and ADAT connectivity, the card operates at sample rates up to 24-bit / 192kHz.
The card offers primary and secondary RJ45 Dante output ports, an AES59 DB25 connector for AES3 output, and a pair of TOSLINK connectors for ADAT output. Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources. This also includes syncing the Dante network to house clock, or for syncing external equipment to the Dante network.
Dante outputs on the ISA ADN8 provide ISA 428 MkII and ISA 828 MkII with network connectivity to all Focusrite RedNet devices and Red interfaces, as well as any other Dante-enabled device from hundreds of manufacturers. Metering and settings are accessed through RedNet Control, routing is configured using Dante Controller.
And as with all Focusrite Pro products, wherever you happen to be in the world, you can rely on a three-year warranty if any Focusrite Pro hardware needs repairing or replacing due to a manufacturing fault.
Eight-channel analogue to digital interface for ISA 428 MkII and ISA 828 MkII
Up to 24-bit/192kHz sample rate
Dante connectivity via Primary and Secondary Ethernet ports for redundancy and auto switchover in case of failure
Eight-channel AES59 DB25 output connection for AES3
Two TOSLINK connectors for ADAT (8 channels at up to 96kHz; 4 channels at 192kHz)
Word Clock I/O on BNC connectors allows synchronisation to multiple digital sources, for syncing the Dante network to house clock, or for syncing external equipment to the Dante network
RedNet Control and Dante Controller software allow Dante routing and control from a computer; no hardware patching required
Brainworx bx_console Focusrite – exclusive plug-in that faithfully captures the sound, feel and styling of the original Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules.
SPECIFICATIONS
AUDIO PERFORMANCE
0 DBFS Reference Levels
22dBu
Frequency Response
20Hz - 20kHz ±0.1dB
THD+N
-105dB (0.0006%) unweighted, 20Hz - 20kHz; -1dBFS input
Noise In Presence Of Signal
-121dBu 'A'-Weighted (typical)
Dynamic Range
121dB 'A'-weighted (typical), 20Hz - 20kHz
DIGITAL PERFORMANCE
Supported Sample Rates
44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHz (-4% / -0.1% / +0.1% / +4.167%) at 24 bit
Clock Sources
Internal or Word Clock
CROSSTALK
Input To Input
< -100dB; 20Hz - 20kHz (driven channel at -20dBFS)
FRONT PANEL OUTPUT CONNECTIVIT
DANTE
Channel Count
8 x ADAT channels
Output
2 x TOSLINK connectors
AES3
Channel Count
8 x AES3 channels
Output
1 x DB-25 connectors (AES59 Combined I/O / Tascam Digital)
ADAT
Channel Assignments @ 44.1 KHz, 48 KHz
Port 1 = Channels 1 - 8 , Port 2 = Channels 1 - 8
Channel Assignments @ 88.2 KHz, 96 KHz
SMUXI: Port 1 = Channels 1 - 4, Port 2 = Channels 5 - 8
Channel Assignments @ 176.4 KHz, 192 KHz
SMUXII: Port 1 = Channels 1 - 2 , Port 2 = Channels 3 - 4
Channel Count
8 x ADAT channels
Output
2 x TOSLINK connectors
WORD CLOCK
Word Clock Input
1 x BNC 75O port (Switchable Termination)
Word Clock Output
1 x BNC 75O port
DIMENSIONS
Height
33.2mm / 1.31"
Width
158.5mm / 6.24"
Depth
202.4mm / 7.97"
WEIGHT
Weight
0.59kg / 1.3lbs
The ‘ISA One’ microphone pre-amplifier delivers Focusrite's prestigious ISA transformer-based pre-amp in a rugged and portable chassis, at a groundbreaking price. ISA One features the classic vintage microphone pre-amplifier topology from the original ISA110 module, including the Lundahl L1538 transformer and bespoke zobel network. (The original 110 pre amp formed the cornerstone of each channel of Focusrite's legendary Forte console.) The pre-amp is complemented by a line input (XLR and TRS Jack) and an independent D.I. channel, complete with dedicated gain control, active or passive impedance switch, a TRS Jack output for routing to an amp and an independent XLR output on the rear. This flexible independent D.I. makes the ISA One ideal both for engineers wishing to blend a D.I.’d guitar signal with a mic’d guitar cabinet, and for demanding performers who require a single classic solution for both guitar and vocals. A variable impedance circuit has been added, allowing the user to switch between four carefully selected input impedance settings. In addition to the original ISA110 impedance, three further impedance settings allow perfect matching, or creative mismatching of the pre amp with any microphone. ISA One also features an insert point, should the need arise to place extra processing between the pre amp or D.I. and the optional converter. Phantom power, phase reverse and a 75Hz, 18dB/octave high-pass filter are also available from the angled front fascia.
ISA Series Transformerbased Preamplifier
Encased in a rugged and portable chassis, ISA One offers the classic Focusrite microphone preamplifier at its lowest cost to date.
Flexible Independent D.I. Channel
ISA One is ideal for both engineers and demanding performers alike, featuring independent gain control, an output for routing to an amp, an independent XLR output on the rear and routing to the optional ADC.
Switchable Impedance
Choose one of four carefully selected input impedances, including the original ISA 110 setting, to suit any microphone.
Optional Stereo 192kHz ADC
This optional card embodies cuttingedge conversion technology, incorporating Focusrite analogue circuitry to deliver the best AD performance in its class (Dynamic range of 119dB).
Built to protect your ISA One from the rigors of the road. Rugged plywood construction with a solid polypropylene exterior and reinforced corners.
Headphone Output with Volume Control
ISA One can feed either a sum of the two inputs to the headphones output, or an external stereo cue mix (such as a stereo mix feed from an interface) via two TRS Jack inputs on the rear of the unit.
Dedicated Insert Point
Allows you to place extra processing between the preamplifi er or D.I. and the optional converter, such as an EQ or compressor.
You may only need a couple of mic preamps, but they need to be the very best. The ISA Two dual-mono mic pre is the ideal solution: two independent channels of the highest quality classic Focusrite mic pres, with line in and front-panel instrument inputs – no DI box required. Based on the legendary designs found in the Focusrite Forte and Studio Consoles, ISA Two is the ideal front-end for your rack.Features:Lundahl LL1538 mic input transformerRupert Neve originally chose the Lundahl LL1538 to be the input transformer on the ISA 110. To this day the Lundahl transformer remains the best microphone input transformer available, and is used in every ISA Series mic pre. Rupert Neve also perfected the Zobel network found in the ISA circuit; something which takes a lot of knowledge and a golden set of ears. This allows the ISA mic pre to maintain an extremely flat frequency response across a very wide bandwidth.Up to 80 dB of gain ISA Two offers up to 80 dB of clean, distortion-free gain. The much-heralded ISA topology also ensures low-noise even at the highest gain levels. The transformer alone supplies 20 dB of gain, while ISA’s input stage offers up to 60 dB in addition, giving an astonishing 80 dB of maximum gain on the microphone input.Variable input impedanceFour choices of input impedance, including the original ISA 110 value, allow you to match the preamp to your microphone, even if it's a vintage type, giving you the best possible sound. The impedance is selected using a switch on the front panel, and the impedance choice is remembered even once the unit is switched off and back on.User-calibrated meteringEach channel has an eight-LED array to clearly display the level of your two signals. You can line up your analogue evels with your converters or DAW by using the calibration knob on the rear panel. You will be safe in the knowledge that you have avoided clipping on the way in.Front-panel instrument and rear panel line inputsTwo 1/4in jack sockets on the front panel of ISA Two give you instant access to a transparent DI input. TRS line inputs are available on the rear panel too, and you can step through them instantly to select the one you want.Variable cut-off high-pass filterBuilt in, and easily accessed with its own large knob and illuminated button, is an extremely smooth-sounding 18 dB/octave high-pass filter of the same design as the original ISA 110 module. This is ideal for cutting out rumble, thumps and other unwanted low-frequency sounds and with a range of 16 to 420 Hz, it's easy to lose what you don’t want, and keep what you do.Rear panel balanced inserts Each channel of ISA Two has its own balanced insert point. With 1/4" TRS send and receive connections, your choice of signal processor can be connected and switched in and out using the illuminated switch on the front panel.Specification:Two channel classic Focusrite ISA transformer-based preampFront panel, per channel:
1/4" instrument input
Variable input impedance - Low, ISA 110, Medium, High
Input selection - Mic, Line, Instrument
0 - 30 dB/30 - 60 dB gain switch
Phantom power switch
Phase invert switch
0 - 60 dB gain in 10 dB steps
0 - +20 dB continuously variable trim
Variable high-pass filter with on/off switch
Insert point on/off switch
Eight-LED user-calibrated level meters
Single power switch
Rear panel, per channel:
XLR-F mic inputs
1/4" TRS line inputs
1/4" TRS Sends
1/4" TRS Returns
XLR-M line output
Single peak meter calibration dial
Single IEC power socket
Features:
Connect to Pro Tools | HD, Thunderbolt computers and Dante simultaneously without option cards
High-performance audio conversion with over 118dB dynamic range A/D and 121dB dynamic range D/A (A-weighted)
Ultra-low round trip latency to track through plug-ins and record virtual instruments in real time
16 line inputs on D-sub, coupled with 16 line outputs and two main monitor outputs
Two digitally-controlled Red Evolution mic preamps with up to 63dB of ultra-clean gain, stereo linking, individual phantom power, high-pass filter and phase reverse
Air mode on the preamps, giving recordings the clarity of a transformer-based ISA
Two Thunderbolt 3 ports as standard to connect additional Thunderbolt products
Dual-port Dante card for more channels at higher sample rates
Three LCD displays for highly accurate level metering
RedNet Control software mixer for setting up monitoring and routing configurations, with remote control of preamps
Two discrete high-fidelity headphone outputs
Connect multiple digital sources using word clock I/O and loop-sync I/O
Two instrument inputs on the front panel
AAX/AU/VST-compatible Red 2 and Red 3 EQ and compression plug-ins
Red 8Line is a 58-input, 64-output, Thunderbolt™ 3 audio interface that features two Red Evolution mic pres, independent L/R monitor outs, eight balanced line inputs and outputs on DB25 connectors; 32 channels of Dante® I/O; 16-channel ADAT input and output (at 48kHz), and stereo S/PDIF input and output. As with other Red interfaces, it has professional-grade 24-bit/192kHz A-D and D-A conversion for no-compromise recording and audio playback. With 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted), the converters have been expertly selected and calibrated by Focusrite to provide the best balance of sound quality, dynamic range and conversion latency.
The Focusrite Red range is the best choice for professionals who work in Pro Tools™ | HD and other DAWs — on both Mac and PC. With both mini-DigiLink and Thunderbolt 3 connections, it's possible to instantly switch between Pro Tools and other DAW applications without the need to reconfigure your audio settings. Simply change the host mode either in RedNet Control software, or using the Red 8Line front panel, to change DAWs in seconds. This ability to quickly switch between production environments means you'll never lose that moment of inspiration, or leave your clients waiting.
Red 8Line features the latest implementation of Thunderbolt 3, with Focusrite's session-proven, ultra-low-latency, rock-solid Thunderbolt drivers. This speed provides the flexibility to use DAW plug-ins in real time, so you can harness the processing power of your DAW to track through plug-ins and record virtual instruments. With two Thunderbolt 3 ports as standard, it's also possible to daisy-chain Thunderbolt devices, such as third-party plug-in accelerators, hard drives, external 4K displays, processing units and Thunderbolt hubs.
On-board Dante connectivity enables Red 8Line to communicate with industry-standard Audio-over-IP equipment from hundreds of manufacturers. Dante makes it easy to expand your system, embrace new ways of working, and discover rapid system expansion using Focusrite RedNet interfaces or devices from third parties such as Neve, Yamaha and DiGiCo. Red 8Line has built-in monitor control for mono, stereo and multi-channel monitoring environments up to 7.1.2. Compatibility with the new Focusrite RedNet R1 desktop remote controller allows even greater flexibility, and customised presets for immersive monitoring environments including Dolby Atmos®.
Feature:
High-performance 24-bit/192kHz A-D and D-A conversion with 119dB dynamic range A-D and 121dB dynamic range D-A (A-Weighted)
Seamless multi-platform workflow enables switching between different DAWs in seconds, using the front panel or control software
Two Red Evolution remote-controllable mic preamps provide up to 63dB of ultra- clean gain, with phantom power, high-pass filter, phase reverse and Air mode
Latest implementation of Thunderbolt 3 ultra-low-latency drivers for Mac and PC provide the flexibility to use DAW plug-ins in real-time
Dual Thunderbolt ports as standard enable daisy-chaining of devices such as plug-in accelerators, hard drives and external 4K displays
Twin mini-DigiLink ports provide connectivity directly to Pro Tools | HD cards, with no need for device expansion
Dual Dante ports enable connection to the industry standard Audio-over-IP protocol, for easy expansion and interoperability with other digital devices
Monitor control supports mono, stereo and multi- channel monitoring environments up to 10 channels, including 7.1.2
Extensive analogue I/O provided by eight line inputs and outputs on DB25; independent L/R monitor outputs; independent Red Evolution mic preamps, plus two stereo headphones outputs
Three LCDs provide highly accurate level metering for any input or output block, as well as for main monitor and headphone outputs
RedNet Control allows quick setup of complex monitoring and routing configurations, and control of the preamps remotely
High-fidelity dual headphone outputs are powerful enough to deliver loud audio on high-impedance headphones
Dual front-panel instrument connections ensure immediate access to instrument inputs, even when racked
New Windows 10 Thunderbolt drivers make Red 8Line compatible with PC-based audio systems
Focusrite software bundle includes the Brainworx bx_console Focusrite SC channel strip from the original Focusrite Studio Console, plus Red 2 and Red 3 EQ and Compression plug-ins, which accurately reproduce the sonic qualities of the original Red hardware. Focusrite Plug-in Collective membership provides access to frequent free downloads from the most innovative music software brands
Thunderbolt or Pro Tools|HD
Red 8Pre features both Thunderbolt 2 connectivity and dual mini-DigiLink ports allowing you the best of both Core Audio and Pro Tools|HD workflows. Take Red 8Pre on the road for location recording over Thunderbolt then connect the same interface to Pro Tools|HDX or Pro Tools|HD Native back at the studio for mixdown. The combination of low-latency conversion and driver technology allows real-time foldback mixes to be created in the DAW while you continue to use your native plug-ins. Unlike many interfaces, both mini-DigiLink and Thunderbolt 2 connectivity comes as standard, so there’s no need to buy an additional option card.
Eight Red Evolution Mic Pres
Focusrite’s Red Evolution mic pres draw on many decades of design prowess as well as many of the elements behind the incredibly popular RedNet mic pre used in many studios, broadcast facilities and live performances around the world. The digitally-controlled mic pres deliver a clear and honest sound with very low noise and plenty of gain available for the most-quiet of sources. They can be controlled from the front panel or remotely over Thunderbolt using Focusrite Control. Additionally the mic pre settings can be saved and recalled allowing you to quickly re-setup for your next session. They also include our unique ‘Air’ effect, recreating the sound of the transformer-based mic preamps in the ISA and original Red ranges. When ‘Air’ is enabled, the microphone impedance is lowered and the sound is given a subtle mid-high boost – all in the analogue domain.
Parallel Path Conversion
Focusrite has been designing digital converters for over 20 years. From the original Blue 245 and 260 mastering-grade A-D and D-A, through the Liquid Channel and more recently RedNet, digital conversion is a key part of our design heritage and philosophy. Every converter we design starts with the same objectives: low latency, high dynamic range and a flat, wide frequency response. Red 8Pre’s conversion achieves just that, lightning fast performance, a dynamic range of 118dB A-D and 121dB D-A and a flat response to 35kHz. By using “parallel path summing” we have achieved even greater noise-performance than ever.
Ultra-low Latency
Monitoring latency is the enemy of any performer and if the performance isn’t excellent, the final mix won’t be either. By utilising the lowest-latency conversion available, coupled with a high-performance Core Audio driver, Red 8Pre’s analogue round trip latency is kept to an exceptionally low minimum of 1.67ms.
Hugely flexible
Since Red 8Pre allows the user to assign any physical input or output to any driver/Pro Tools|HD channel, it’s easier than ever to customise the interface layout and integrate hardware inserts. Simply open Focusrite Control software and reallocate the channels as required.
Room for expansion
While Red 8Pre has enough I/O for many scenarios, sometimes more is needed. That’s why Red 8Pre includes two ADAT ports, for up to 16 additional inputs and outputs. Simply connect any ADAT equipment, such as the Focusrite Octopre, using lightpipes.
However in today’s modern studio, audio networking is taking over. Focusrite’s RedNet range is the world’s most popular modular audio-over-IP platform. We’ve brought some of that technology to Red 8Pre, allowing up to 32 channels of Dante inputs and outputs to be connected. Simply plug in an Ethernet cable and add additional mic pres or line I/O with ease. Alternatively arrive at the studio or venue and simply connect one Ethernet cable to Red 8Pre to gain access to the whole network. The possibilities are huge.
Included Software
Red 8Pre includes the new Focusrite Control software, providing a straightforward and intuitive way to set up mixes and monitoring, as well as controlling the mic pres – recalling settings, assigning stereo pairs, adjusting gain and enabling features such as high-pass filtering and phantom power. In addition, Red 8Pre is packaged with Softube's Time and Tone Bundle – a unique plug-in pack including four of Softube’s professional quality plug-ins: Drawmer S73 Intelligent Master Processor, TSAR-1R Reverb, Tube Delay and Saturation Knob. Also in the box is the Focusrite Red Plug-in Suite, which accurately models Focusrite’s classic Red range 2 and 3 equaliser and compressor hardware.
RedNet A16R MkII is a 16-channel analogue Interface for Dante networks, with two channels of AES3 I/O. Individual input and output channel level controls allow for precise adjustment of all I/O levels using RedNet Control. With two power supplies and primary and secondary etherCON network connectors, RedNet A16R MkII is perfect for critical-path applications in recording, post-production, live sound and broadcast. Built-in redundancy features allow for silent fail-over in the event of power or network outage, providing reassurance for system technicians.Analogue inputs and outputs are connected through four rear-panel AES59-configured DB25 connectors, while an additional pair of AES3 I/O is provided through male and female XLR for added flexibility. The XLR input can accept DARS signals in addition to AES3. Word Clock I/O on BNC connectors allows external devices to clock to RedNet A16R MkII, or alternatively allows RedNet A16R MkII to act as a network clock grand master, synchronised to external input. RedNet A16R MkII is well suited to permanent installation and repeated strike and setup: all connectors lock and remain terminated even under stress, providing worry-free installation and peace of mind once situated in a rack. In addition, all Focusrite Pro products come with a three-year warranty and award-winning customer support.Key Features
16-channel bi-directional analogue interface for Dante networks, with additional two-channel AES3 I/O.
Precision A-D and D-A conversion with 119dB dynamic range, flat from 20Hz - 20 kHz (+/- 0.15dB).
Individual input/output channel level control using RedNet Control software.
Dual PSUs with locking IEC inlets.
Dual locking etherCON connectors for Primary and Secondary network connections.
Power supply and ethernet redundancy with auto switchover in case of failure.
Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status.
Sample rate conversion on the AES3 inputs allows external equipment to run at any sample rate.
Analogue I/O on four AES59 standard DB25 connectors.
Digital I/O on a pair of XLR connectors (AES3).
Rear panel XLR connector can either be used as a DARS input or as a traditional AES3 audio input.
BNC connectors for Word Clock input and output.
Compact 1U chassis allows maximum functionality in minimum rack space.
AES67 and AES70 compliant.
SMPTE ST 2110 compliant when used with Dante Domain Manager (sold separately).
Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers.
Remote control with RedNet Control, and route via Dante Control.
RedNet A8R expands Focusrite’s growing range of 1U Dante interfaces with network and power supply redundancy, providing eight channels of analogue input and output. RedNet A8R offers high quality 192kHz/24-bit A-D and D-A digital conversion with up to 119dB dynamic range, plus two channels of AES/EBU digital I/O, to and from the Dante network.
RedNet A8R provides 24-bit conversion at 44.1, 48, 88.2, 96, 176.4 and 192kHz sample rates (remotely-selectable) and includes pull-up/down capability. Electronically-balanced analogue audio I/O is provided on DB25 connectors wired to AES59 specifications. Internal signals are balanced throughout. Inputs and outputs are remotely configurable for 0dBFS= +18dBu or +24dBu signal levels. In addition, two channels of AES/EBU I/O are provided on XLR connectors, with sample rate conversion on the input. The clock source for the unit may be internal, or external via Word Clock or DARS (via the XLR input). RedNet A8R also outputs Word Clock.
RedNet A8R features power and network redundancy, with two separate universal (100–240V) PSUs, which include IEC connectors with retaining clips, plus dual network interfaces on locking etherCON connectors. These ports can be configured remotely to Redundant or Switched (daisy-chain) mode.
Key Features
Eight channels of high-quality line-level analogue I/O
24-bit precision Focusrite conversion up to 192kHz
119dB dynamic range, flat from 20Hz – 20kHz, +/-0.15dB
Internally balanced throughout
Dante-based remote-controlled audio-over-IP connectivity
Dual power supplies and network connections with full power and network redundancy, including latching connectors for maximum reliability
Word Clock I/O and DARS for increased flexibility, plus an additional two channels of AES/EBU I/O
Analogue I/O to AES59 standard on DB25 connectors
Comprehensive front-panel indicators
Software-based routing and control – no hardware patching required
A valuable addition to Focusrite’s RedNet range of audio-over-IP interfaces, RedNet AM2 is a compact, flexible Dante-compatible stereo monitoring unit combining headphone and line outputs for monitoring of signals from the Dante network wherever required. RedNet AM2 features a ¼" front-panel TRS headphone socket plus a pair of rear-mounted balanced line outputs with male XLR connectors for loudspeaker monitoring and other applications.
Designed to drive high or low impedance headphones at high levels, the headphone output delivers significant audio output power. The compact unit, mounted in an enclosure based around a sturdy road-worthy aluminium extrusion, is fitted with non-slip feet, and can either sit securely on a flat surface or be mounted on top of a mic stand using the standard threaded bush incorporated in the base.
RedNet AM2 includes the latest two-channel Dante receiver and provides high-quality digital to analogue conversion at up to 96kHz for accurate monitoring on loudspeakers or headphones. Two large volume control knobs are provided for Headphone and Line output levels, the latter featuring a mute button with associated LED. Other indicators show the presence of power, network and signal level.
Dual locking etherCON connectors are included to connect the network and to daisy-chain to additional network devices. The unit is powered via Power over Ethernet (PoE) or via the rear-panel barrel connector and included DC power supply.
Key Features
Cost-effective headphone/loudspeaker stereo monitoring solution for Dante offers lower system deployment costs
Superb digital to analogue conversion at up to 96kHz provides transparent and accurate audio quality
Powerful headphone amp delivers plenty of level even with high-Z headphones for maximum high-quality audibility
Independent headphone/line output level controls for maximum control
Line output mute switch instantly kills the signal to external speakers or power amps
Integrated Gigabit Ethernet switch allows connection of a second device for simpler cabling
Built-in mic stand mount plus non-slip feet – mount RedNet AM2 to a mic stand or place securely on a surface
Supported Sample Rates
44.1, 48, 88.2 and 96kHz at 24 bit
RedNet D16R MkII is a 16-channel bi-directional digital interface for Dante networks. The 1U rackmount device features individual input and output channel level controls, allowing for precise calibration and control of all input and output levels using RedNet Control. RedNet D16R MkII features power supply and Ethernet redundancy with auto switchover in case of failure. Various connection options make RedNet D16R MkII a flexible addition to any Audio-over-IP system. A pair of DB25 multipin connectors each connect eight channels of AES3 I/O into and out of the interface, while XLR and RCA ports enable two-channel AES3 and S/PDIF connections, respectively, to be made. Sample rate conversion on every input enables external equipment to operate at different sample rates, and DARS signals are accepted on the XLR connector. Word Clock I/O on BNC connectors allows synchronisation to house clock, or syncing external equipment to the Dante network. Key Features
16-channel bi-directional digital interface for Dante networks.
Individual input and output channel level control using RedNet Control software.
Dual PSUs with locking IEC inlets.
Dual locking etherCON connectors for Primary and Secondary network connections.
Power supply and ethernet redundancy with auto switchover in case of failure.
Front-panel LED indicators for PSU, network, sample rate, signal present and clock source status.
Sample rate conversion on all input channels.
Two DB25 connectors with AES59 standard configuration; each carries eight channels of AES3 I/O.
RCA connectors for two-channel S/PDIF input and output.
XLR connections for alternate AES3 I/O and DARS input.
BNC connectors for Word Clock input and output.
Compact 1U chassis allows maximum functionality in minimum rack space.
Full operability with Focusrite RedNet and Red interfaces, plus all Dante devices from hundreds of manufacturers.
Remote routing and control using RedNet Control and Dante Controller.
64-channel bridge between MADI and Dante Networks
RedNet D64R provides the link between a Dante Ethernet-based audio system and any MADI / AES10 setup. D64R supports up to 64 channels of both coaxial and optical MADI interfaces and is completely bi-directional, allowing the use of any Dante components including RedNet’s high quality interface products with a MADI system – or MADI components with a Dante system. D64R features a sample rate converter (SRC) on each input and output allowing interfacing between MADI and Dante irrespective of the sample rate at which either system is operating. Connect a Dante network to MADI-based digital consoles, computer cards, converters and much more. In addition to both coax and optical MADI interfaces, RedNet D64R provides Word Clock in and out. The D64R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 64 channels of I/O.
Key Features
Connects a MADI system and a Dante network seamlessly together. Connect Dante to digital mixing consoles, interfaces and cards that use MADI; or extend a MADI system with RedNet’s versatile, superb-quality audio interfaces and connectivity – or any other Dante compatible devices.
Built-in redundancy with dual locking power and etherCON network connectors.
Supports both coax and optical interfaces – connect simply to any MADI equipment.
Slave either the Dante system or MADI streams to an external clock
Supports up to 64 channels of digital audio I/O at standard sample rates (44.1/48kHz) from a MADI system, 32 channels at 96kHz and 16 at 192kHz.
Sample rate conversion (SRC) on each input and output, allowing MADI and Dante systems to operate simultaneously at different sample rates.
Simple 1U rack-mount module with the classic red aluminium faceplate.
RedNet Control and Dante software allow remote routing and control from the audio computer system via a software control panel – no hardware patching required.
32-Channel Bridge between Dante Networks and Pro Tools|HD
RedNet HD32R is a 1U, 19in rack-mount Dante interface that allows Pro Tools|HD users direct access to the full benefits of the Dante digital audio networking system, including its uniquely flexible network topology and premium quality audio interfaces. The Pro Tools system is connected to the HD32R via standard Mini DigiLink ports. HD32R acts as a 64-channel (32 in/32 out) digital break in/out box, operating in the same way as a standard interface, and supporting a wide range of Pro Tools|HDX and HD cards. Up to six HD32R modules can be used with a Pro Tools|HDX system and three with Pro Tools|HD, allowing the maximum channel count for either. The HD32R features a rugged, roadworthy exterior and high internal build quality, with Ethernet and power supply redundancy. In addition, it offers a compact 1U rack-mount form factor for a full 32 channels of I/O.
Key Features
Allows Dante Ethernet-based audio networking products to interoperate fully with Pro Tools|HD & Pro Tools|HDX
Ethernet and power supply redundancy with auto switchover in case of failure and locking connectors
Provides the vital link to create an extensive high-quality audio network based on standard Cat 5e or Cat 6 wiring, bringing the latest advances in digital audio networking to Pro Tools|HD
Cost-effectively increase audio I/O quality and flexibility with RedNet interfaces
Permits multiple workstations to access the same interface hardware and I/O
No changes to Pro Tools workflow required – simple, logical assignment of RedNet I/O to Pro Tools|HD inputs and outputs
Up to 32 I/O with Pro Tools|HD over single DigiLink connection per RedNet HD32R
Additional Avid/Digidesign interfaces may be connected to expansion ports
Upgrade to RedNet interfaces while remaining fully compatible with TDM- or AAX-DSP-based plugins and saved sessions
Overview
8-channel remote-controlled mic pre and A/D for Dante networks
RedNet MP8R is an 8-channel remote-controlled microphone preamplifier and A/D for the Dante audio-over-IP network, designed specifically for the live sound/recording and broadcast environments, and other workflows where reliability is paramount, with Ethernet and power supply redundancy. The MP8R features eight high-quality remote-controlled mic preamps developed specifically for the RedNet range, and backed by thirty years of mic preamplifier development. Each preamp has a dual input impedance of 10k or 2.4k ohms, allowing flexibility when running multiple mic pres in parallel. The device includes eight auxiliary outputs with automatic DSP-based gain tracking for digital “splits”. Following the mic pres are eight channels of Focusrite’s legendary high-precision A/D converters, operating at up to 192kHz/24-bit with minimum latency and offering class-leading dynamic range and overall performance. The MP8R features a rugged, roadworthy exterior and high internal build quality. In addition, the unit offers a compact 1U rack-mount form factor.
Key Features
Built-in redundancy with dual power and network connections
Rugged roadworthy all-metal construction, high build quality, locking power and etherCON Ethernet connectors
Eight Focusrite remote-controlled preamps with enhanced input level capability, and dual input impedance to deliver maximum performance when one mic feeds single or multiple pres
Two outputs from each preamp: one direct and the other automatically gain-compensated to deliver a constant level
Remote-controllable Gain, Phantom Power and High-Pass Filter from Yamaha CL and QL Series Consoles.
20dB pad, HPF and polarity inversion per input
Operate locally, or remotely via RedNet Control software, Pro Tools, MIDI or OCA (Open Control Architecture – available 2015 via firmware update)
Precision low-latency conversion at up to 24-bit/192kHz, with best-in-class dynamic range and overall audio quality
6-segment LED level meters; OLED display indicates input gain and system information
Compact 1U form factor
Full interoperability with other Dante products and networks
RedNet R1 enables users to interact with their audio system like never before. It provides the flexibility to control a range of different monitor output setups, ranging from mono through to 7.1.2 surround, including Dolby Atmos® and other immersive audio workflows. Alternatively, completely custom setups of up to 12 outputs can be configured for bespoke speaker configurations. RedNet R1 can be used to control groups of outputs from a Red interface's multitude of sources and destinations, including from Pro Tools | HD and other DAWs, analogue inputs and outputs, ADAT and S/PDIF connections, and from entire Dante audio ecosystems, simultaneously and interchangeably.RedNet R1 supports a maximum of eight input sources from 32 available audio channels, across analogue, digital, DAW and Dante connections, and mixes and routes signals to up to 12 monitor output channels. Top-panel control includes level, reference level preset selection, cut, dim, mute and a variety of solo modes. There's an A/B switch for switching between numerous monitoring presets, and up to four fold-down presets allow fast switching for checking downmixes. Custom cue mixes can be sent to talent from any of the 32 available inputs.RedNet R1 also features a Dante-enabled talkback section, internal mic-pre and a high-powered headphones output, so you can interact with your Dante system like never before. Up to four talkback destination groups are available when used with a Red interface. (When used with other Dante devices, a single talkback group is available.) RedNet R1 has an internal microphone, or users can connect their own microphone via the rear-panel XLR. The high-fidelity headphone output is powerful enough to deliver high-SPL audio to high-impedance headphones.RedNet R1 features two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus. The unit is configured using RedNet Control 2, the software manager designed primarily for ease of use in quickly setting up both simple and complex monitoring and routing configurations. Other features of the RedNet R1 include a quarter-inch jack socket, which accepts a footswitch for talkback management, LFE muting and more. It can be powered via Ethernet to reduce cabling complexity (using the PoE standard), or by a DC power supply.Key Features
Desktop remote controller for Red audio interfaces The first Dante®, Pro Tools | HD™ and Thunderbolt™ interface system with a monitor controller.
Switch and sumSupports a maximum of eight channels, each of up to 12 sources per channel, from 32 available audio sources.
Flexible monitor control Controls include level, reference level, preset selection, cut, dim, mute, A/B switch, and a variety of solo modes.
Monitor fold-downs Up to four fold-down presets allow fast switching for checking downmixes.
Talkback & headphones functionality Four destination groups when used with a Red interface, or a single talkback group when used with other Dante devices. High-fidelity output can take its source from a multitude of sources.
Built-in Microphone RedNet R1 has an internal talkback microphone, or users can connect their own, via the rear-panel XLR.
Precision metering and display Two LCD displays for highly accurate level metering of the outputs, sources and headphone outputs, and for giving visual cues for navigating around menus.
Software setup with hardware-focussed workflow RedNet Control is designed for quickly setting up simple or complex configurations.
Footswitch input Quarter-inch jack socket accepts a footswitch, for talkback management, LFE muting and more.
Power-over-Ethernet (PoE) support Powered via Ethernet (using the PoE standard), or using a DC power supply.
2x2 Analogue I/O With 2x Mic Pres, Headphone And Line Output, PoE Supplied
RedNet X2P is a compact, portable and robust 2x2 Dante™ audio interface featuring two Red Evolution mic pres, stereo line out and a stereo headphone amplifier. RedNet X2P allows you to effortless add a high quality Dante audio interface by integrating power, audio, clock and remote control over a single Ethernet cable – simply use a power over Ethernet switch or PoE injector. A local input mixer allows 'more me' monitoring control, while a control lockout mode ensures settings can not be changed when used remotely.
Rear panel XLR outputs offer level-controlled analogue outputs of up to 24dBu, while a front panel 1/4" connector provides a high-powered headphone output capable of driving both high and low impedance headphones. A pair of combination XLR/1/4" inputs allow the connection of mic, line or instrument level signals to the mic pres, which include Focusrite's acclaimed Air mode which emulates the sound of our classic input transformers. The top panel features an array of controls: output level for headphone and line outputs, mic pre controls of gain, high-pass filter, Air, phase invert, phantom power and stereo linking; as well as the crossfader for controlling the balance of mic pre inputs and network receiver channels which to be sent to the headphone or line outputs.
Features:
Stereo 2x2 audio interface for Dante audio-over-IP networks
Two Red Evolution mic preamps for mic, line or instrument level inputs
Power-over-Ethernet supplied: IEEE 802.3af compliant
Up to 24-bit, 96kHz sampling rates
Robust steel and aluminium chassis
Local input mix to allow ‘more-me’ style monitoring for easy foldback control
Powerful headphone output even with high-impedance headphones
Local control lockout of mic pre settings, output settings or both
Up to 24dBu line output levels
Independent level control of headphone and line outputs
Mute switch for line output
Mic stand mount
Kensington security slot
Integrated network switch allowing daisy-chaining of network devices
Housed in a 1U rack-mountable enclosure, the third-generation 18i20 boasts extensive simultaneous I/O comprising eight mic preamps, 18 inputs and 20 outputs in total. Take your studio to the next level with the 18i20, offering superior sound quality, talkback functionality and onboard speaker switching. Improved A-D and D-A conversion ensures your recordings and playback will sound clear and pronounced up to 24-bit/192kHz, vital to helping you perfect your mix.
The Scarlett 18i20 features eight of Focusrite’s best-ever-performing third-generation Scarlett mic preamps: with optional Air setting to reproduce the Air effect of their original ISA mic preamp, giving your vocal or acoustic recordings a brighter and more open sound. There’s also a pad on every mic preamp to accommodate higher-level signals without clipping. The two front panel high-headroom instrument inputs allow you to record guitars and basses without any clipping or unwanted distortion.
Speaker-switching technology allows you to switch between main and alt monitors to get a new perspective on your mix, and the new built-in talkback mic lets you communicate with your recording artist at the touch of a button, helping you capture that perfect take.
A pair of virtual loopback inputs allows you to capture a stereo feed of any combination of hardware input and software playback channels – making podcasting, live streaming and sampling tasks easier.
Scarlett 18i20 is designed to stand up to days on the road and connects straight to your Mac® or PC via USB cable. It comes with all the software tools you need to get started: two comprehensive digital audio workstations, Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack; Softube’s Time and Tone Bundle; Focusrite’s Red Plug-in Suite; a choice of one of four of XLN Audio’s Addictive Keys.
If that wasn't enough, Focusrite have partnered with Splice to give 3rd Gen. interface owners a free 3-month Splice Sounds subscription when setting a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favourite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores.
And as with all Focusrite products, you’ll also benefit from membership of their Plug-in Collective offering free software downloads and generous discounts, as well as a two-year warranty and award-winning customer support.
Features
Eight of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your recordings a brighter and more open sound
High-performance converters enable you to record and mix at up to 24-bit/192kHz
Two high-headroom instrument inputs to plug in your guitar or bass
Four monitor outputs with anti-thump technology and speaker switching, and onboard talkback functionality with built-in, front panel talkback mic.
Eight balanced line inputs for connecting synthesisers, drum machine and other line-level sources
The third-generation Scarlett 18i8 is the perfect audio interface for recording engineers and producers who need to adapt to their recording environment, wherever they are.
It offers eight analogue inputs: four mic/line inputs, two high-impedance, high-headroom instrument inputs and four additional fixed-line inputs on the rear. An optical input allows for expansion of up to eight additional channels for larger recording sessions. And with improved A-D and D-A conversion, your recordings and playback will sound clear and pronounced up to 24-bit/192kHz, vital to helping you perfect your mix.
Scarlett 18i8 features four of Focusrite’s best-ever-performing third-generation Scarlett mic preamps: with optional Air setting to reproduce the Air effect of their original ISA mic preamp, giving your vocal or acoustic recordings a brighter and more open sound. There’s a pad on every mic preamp to accommodate higher-level signals without clipping.
Scarlett 18i8 offers two extra line outputs over the previous generation, and speaker switching technology for dual monitor setups. Two independent headphone outputs allow for both engineer and artist to monitor during recording sessions, and a pair of virtual loopback inputs allows you to capture a stereo feed of any combination of hardware input and software playback channels – making podcasting, live streaming and sampling tasks easier.
Scarlett 18i8 is designed to stand up to days on the road, and connects straight to your Mac® or PC via USB cable. It comes with all the software tools you need to get started: two comprehensive digital audio workstations, Ableton® Live Lite™ and Pro Tools® First Focusrite Creative Pack; Softube’s Time and Tone Bundle; Focusrite’s Red Plug-in Suite; a choice of one of four of XLN Audio’s Addictive Keys.
If that wasn't enough, Focusrite have partnered with Splice to give 3rd Gen. interface owners a free 3-month Splice Sounds subscription when setting a new Splice account. Splice Sounds offers millions of high-quality, royalty-free one-shots, loops, and presets, with new releases daily from your favourite producers, sound designers, and artists. Creators use Splice to make all kinds of music, including chart-topping pop, Grammy-winning albums, underground mixtapes, and cinematic scores.
And as with all Focusrite products, you’ll also benefit from membership of their Plug-in Collective offering free software downloads and generous discounts, as well as a two-year warranty, award-winning customer support.
Features
Four of the best performing mic preamps the Scarlett range has ever seen, now with switchable Air mode to give your recordings a brighter and more open sound
Two high-headroom instrument inputs to plug in your guitar or bass
Eight balanced line inputs for connecting synthesisers, drum machine and other line-level sources
High-performance converters enable you to record and mix at up to 24-bit/192kHz
Four monitor outputs with anti-thump technology and speaker switching
399,00 €*
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